hot on the heels of the dj mix of 2013 from john talabot and following luminaries such as maya jane coles, maceo plex and breach, next in line to mix it up for the esteemed !k7 dj-kicks series is aus music and simple records boss will saul.

after releases on john osbourne’s label tanstaafl bill youngman once again rips it off for killekill with our catalog number 019.from straight forward, hard hitting techno as in levitate he crosses over to the typical youngman style 2-step/techno hybrid as in magnetic. broken beats and playful me- oldies as in teardrop turns to solid are definitely not new to him, but the combi-nation of these two elements, as we find it here, definitely is. a beautiful masterpiece that works for the lonely hours as well as for the peaktime dancefloors.

hot on the heels of the dj mix of 2013 from john talabot and following luminaries such as maya jane coles, maceo plex and breach, next in line to mix it up for the esteemed !k7 dj-kicks series is aus music and simple records boss will saul.

der rhythm & blues-fachjournalist lois wilson (mojo, record collector) hat für fantastic voyage tracks aus dem chess katalog aus den genres blues, r&b und rock n roll ausgewählt. die vinyl edition enthält 32 clubtaugliche stücke und einen farbigen einleger. mit dabei sind songs von muddy waters, chuck berry, howlin wolf, bo diddley, john lee hooker, u.v.a.

for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

with georgis sinnmusik debut receiving support from the likes of laurent garnier, john digweed, joyce muniz and shadow child, label favourite georgi barrel returns with another batch of dusty samples and deep, infectious house grooves.

hot on the heels of the last release from francisco in slow motionss new soundtrack series comes this stunning four track release from marco antonio spaventi. while recalling influences as diverse as jan hammer, john carpenter, goblin, giorgio moroder, daniele patucchi, the de angelis brothers and many other legendary (mainly italian) composers from the soundtrack side, these tracks are just as comfortable on the electronic dancefloor and provide a dancing experience every bit as engaging as a listening one. synth-heads, soundtrack afficonados, space-freaks and dance fiends are all set to enjoy this one in equal measure! move fast as copies are limited and demand is high.

the ever essential bokhari label return to showcase yet another vital new artistic talent scientific dreamz of u serve up two fresh, mystical john carpenter-esque tracks that share the dancefloor and rub shoulders with the darker, pitched down end of the sonic spectrum. this outing, as always comes complete with a superb rework: an 11 minute long chugger from black merlin beautifully packaged, limited edition bokhari special !

philipp composes and performs in a way of russian avantgarde and moscows conceptualist movement.

bobby b (a.k.a andre ferreira) is perhaps best known as bobby browser, as he is previously issued a pair of eps for the 100% silk label under that name. those records were excellent, but its fair to say that his icee hot debut finds ferreira exploring a richer, deeper sound. >history< is slow-burning deep house jaunt that subtly nods to detroit along the course of its soul-drenched journey. >so true< warms things up, but only slightly, as its relaxed tones, warbling melodies, and loosely stitched breakbeat offer a blissed-out path to the dancefloor.

five years on bbe is proud to present third installment in their trademark strange breaks & mr thing series. the double vinyl comes in gatefold sleeve, including a cd with the full mic by mr thing.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

first release in a series of vinyl-only 12 inch eps from new label balearic blah blah featuring a choice collection of original balearic gems and edits carefully selected and respectfully reworked by kbe. dont sleep – limited edition.

doc scott was on the decks. it was at tribal gathering (i think), 1996, standing in front of a wall of speakers to one side of the stage, enjoying myself, like you do, when this sound started growing inside my brain. my head was then ripped clean off my shoulders! words are still hard to find! it was the first time i ever heard shadow boxing and its the only thing i still remember from that night. om units 2014 remix is paired with the 1996 original.
dj support from: fabio, mark pritchard, friction, surgeon, toddla t, laurent garnier, pinch, zinc, baliey, rob both, billy nasty, krust & john b.

the original soundtrack of an unreleased movie became the soundtrack of a comic book. 14 tracks produced by krazy baldhead, mr flash, busy p, feadz and the mysterious 40106 (aka mickey moonlight). influenced by john carpenter, wendy carlos and vladimir cosma, the ed banger records artists imagined the perfect soundtrack of a >la ed wood<movie. nostalgia and sound anticipation, vandroid should be listen reading a comic or the head in the skys. a concept album which allows the artists of the label the least exposed to prove their talent.

it is soul time down at the cassette library! produced by bob bhamra. additional production on *clavichords* by the early learning centre. mastered by sam john, precise mastering. manufactured by agr manufacturing.

limitierte ausgabe inklusive kunstdruck.
-someday world- enthält neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla eno, georgia gibson, andy mackay, john reynolds, fred gibson und chris vatalaro. das album wurde von brian eno mit dem erst 20-jährigen fred gibson produziert, und führt die schon länger währende musikalische kooperation zwischen karl und brian fort, die 2009 mit dem -pure scenius- projekt begann, an dem auch leo abrahams, jon hopkins und die australischen the necks teilnahmen, und nun in dem ersten gemeinsamen album überhaupt kumuliert. -someday world- erscheint als 2x12 inch lp im klappcover mit downloadcode. ps: brian enos letztes solioalbum -lux- wurde 2013 für den grammy nominiert.

following on from the white collar boy & somadrone outings for numbers 001 & 002, bodytonic music have called in some friends in high places in the shape of james savage aka naum gabo & l.i.e.s. bossman ron morelli (debuting his ghost 202 project with l.i.e.s. labelmate svengalisghost) to remix the debut release of adultrock, or gav elsted to his postman. a 5 track spaced out funk excursion concocted in gavs secret synth lair in dublin, *chants* is already getting heavy rotation from the likes of james holden, john talabot, pional, annie mac & more.

following on from the success of ekkohaus debut album, no school, last year, moon harbour now offer a selection of high quality remixes. the chosen ones include watergate mix star and bona-fide house godfather kerri chandler, made to play boss jesse rose, label regular sven tasnadi and greek producer john dimas.

in february various release the first offering from new signing hardware, already getting airplay from rob da bank (radio 1), marry anne hobbs (radio 6) and john kennedy (xfm). this 12 inch will definitely start of a busy year to a great start.

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

2016 repress ... alecs newest strike after the orville ep on microtonal. supported by richie hawtin, popof, stephan bodzin, technasia, m.in, someone else, dinamoe, matt john and many more!! also frustrated by superfluous junk? the new uncrufter 1000 is the perfect medium to free your ears deep-cleansing from all the every day s cruft. it reliably removes incrustations and prevents brain corrosion. get it today in your local lampenladen (ipoly recommends kaufmann & ferdinand), get a piece of bonus finishing by haito and reprise true tidiness. knock off needless stuff û with the new uncrufter 1000!

the first supply showcase: four label-newcomers range with veteran authority from deep house to driving techno. the opener is a grooving house burner: an infectious loop and low-slung drums build triumphantly. anders hellberg drops in some acid, with a strident 909 beat stalking an open, melodic soundscape. kicking off the flip, label co-owner jb teams up with bostonian paul morse in an icy, tantalizing variation of elastic, swinging deep-house, before stojches outward opens up an ending, its pounding beat laced with bitter-sweet detroit strings.

following on the success of our cellar the imprint returns for the second releases with james mile , salvo castelli, nadia popoff and strck.dancers and dreamers for supporting the music, ideas and feasts of our family and friends. by the sounds that a typical wet earth offers. support by: ame, dubfire, tini, ben sims, ilario alicante, rino cerrone, john osborn, woo york

additional support: blm, ethyl, vince watson, flori, luke solomon, truncate, ben sims, brothers vibe, boris, ed davenport, lo shea, anthony collins, john osborn, chris duckenfield, a sagittariun, mr g, joris voorn..
nyra returns to never learnt with the follow up to his best of ep which saw huge support at the wax only imprints debut 12inch. ensemble takes in four tracks that each play with dub influences in house and techno ranging from direct dancefloor works to more esoteric cuts.

returning to the party like an unwanted family member, drunk, staggering and harbouring broken toys of acid and drum, z o d i a c 4 4 lurches forward with its second release of the 12 release run.

support by: dubfire, tensnake, john digweed, hector romero, adriatique, kenny dope, damian lazarus, laurent garnier, richie hawtin, riva starr, mathias kaden, butch, julien sandre, doc martin, daniel sanchez , sante, noir, gorge, reboot, yousef, felix da housecat, simon dunmore, dale howard, chris carrier

4 strong techno tunes

the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is music by djs for djs. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

rave!!! remixes by lucretio, marieu, john swing and emg.

played by richie hawtin, sasha, felix da housecat, hot since 82, john digweed, dj sneak, martin landsky, nick curly, gorge, benoit & sergio, johnny d! originally italian produces for longer than 15 years being a self-taught virtuoso of the electronic sound.tuccillo is one of the more prolific producers of the current music scene. down tempo, nu disco or chill out, and crossing all aspects of house music, no genre resists his talent, blends the electronic and analogical components to obtain his own unmistakable sound. after his huge success of the >city lights ep< in 2013 tuccillo returns to 8bit with his new dj toy.

datassette aka john davies has been recording music for over a decade, carving out a niche as a respected purveyor of electro and electronica. he has recorded and self-released an impressive discography from cd-r, net-labels and small independents, but it was his album for ai records in 2008 that first brought him to our attention. he has also remixed the likes of röyksopp, mark archer and al tourettes. datassette continues apollos tradition of releasing rich, musical electronica and follows on nicely from classic releases from the likes of robert leiner, biosphere, david morley and andrea parker.

support von raresh, brothers vibe, john tejada, magda, richie hawtin, mihai popoviciu, chris carrier, rene breitbarth
alexander shulgins theory says that man has produced endogenous hallucinogens in prehistoric times. in order to ensure his survival this had to regress. what remains in our generation are receptors, modern man has only receptors. with the ep only receptors les points debut with their eponymous label. four tracks aligned to stimulate the receptors on the dance floor.

all good things must come to an end and so it is that the landmark series of eps from delsin wraps up with instalment 5.

nice price deal !!! to celebrate reaching this milestone, phonica records have invited some of their favourite artists to produce a track for an eclectic yet cohesive compilation, which will hopefully go some way towards sonically unfolding the ten years of phonica. split across three cds or lps.

limited edition, hand stamped inclduing a unique print. time to welcome kresy to the label with three original tracks of immaculate left of centre house. with only a clutch of releases his name may be new to many but if you dig deeper youll find hes definitely moving the right circles. his debut release on john talabot’s hivern discs gave some broad exposure, picking up spins from the likes of four tets keiren hebden, jenifer cardini and nick hoppner. remix requests followed too with releases on exquisite pain, southern fried and lovemonk all getting the kresy treatment.

piston recordings label boss rogerio martins is next up on his own well-established label with a new track that gets plenty of great remix treatment from joss moog, james dexter and jr from dallas. martins has steered his label through a dizzying amount of quality releases since 2007 picking up support from the likes of laurent garnier and john aquaviva who have confirmed themselves as fans in the past and this new release is sure to find just as much favour with the top dogs. >gonna be mine< is the one martins original and is a classical inclined bit of mature house music with sombre piano chords draped over nicely shuffling percussion. subtle human sounds litter the arrangement and more lively stabs enter the fray in the latter half but essentially this is all about the warm and inviting groove.

for the third ep of the hot parisian label, paco & s.m.a.l.l aka politics of dancing deliver a solid four tracker of dance floor friendly house and deep house edits. they dug out long lost 90s house gems from their vinyl crates to produce four killer tracks. the kind of ep that wont leave your record bag! 300 limited vinyl copies, as usual.
already play by dyed soundorom, shonky & john dimas!

blank slate presents the debut of the düve project, a collaboration between soren jahan and ali Çakir. combining live recorded drums and instrumentation, samples from vintage 78s, internet videos and analogue electronics, this fifth instalment holds nothing back.

>ortloff zehn< is a family getaway into the dark woods of lindenau with four fantastic tracks by jennifer touch & porkfour, john barera & chase smith, mod.civil and qy

hot on the heels of one liverpool producer making his debut on mos (john heckle) is another merseyside producer, asok, also making his label debut.

marteria gehoert ohne jeden zweifel zu den erfolgreichsten kuenstlern der deutschsprachigen musikwelt, vor allem jedoch zu den entscheidenden vorreitern und impulsgebern des aktuellen hip hop-booms. dreieinhalb jahre nach dem hochdekorierten erstling ist der rostocker nun mit dem nachfolger zum glueck in die zukunft ii zurück: ein visionaeres album, das von lebensentwürfen und lebensbewaeltigung handelt, von der revolution und vom reisen, vom erwachsenwerden und davon, auf ewig kind zu bleiben. es ist groeßer als hip hop.
das doppel-vinyl erscheint inklusive cd-version des albums und 2 doppelseitigen foto-drucken.

madteo, vinalog (a.k.a. emg and john swing) and third side have remixed xenogears >multiverse<. xenogears is the name of the first studio project of marieu and lucretio, also known as the analogue cops. with this moniker they released a bunch of seminal techno cuts on the first chapters of their restoration imprint, back in 2007. now, the xenogears are back and a full album titled >lost artemis< will be released in spring 2014 featuring their distinctive fast minimalistic, detroit-inspired and machines-driven techno.>multiverse< is the single choosen to transmit the sound of their forthcoming album, which will also features collaborations with their >bratha< no mad ronin and the talented producer known as objekt.

salespack from the italian frequenza records feat. great tracks from: matteo scaioli & morecare and remixes by andreas henneberg / nihil young / alex delia / john lagora / gary caos & bonora / jellyboyz

with the new release 1112013 stopping outwards, the >numbers trilogy< comes to a conclusion - a milestone in the young life of stochastic resonance collective. the work of six artists focusing on the same research which shows how the common language of electronic experimentation can be the basis of many different variations.

antoni maiovvis career began with a quite frankly amazing lie. in reality maiovvi is not an original italo producer from the 1980s come back to reclaim his crown, but a project started at the end of 2006 by composer anton maiof to explore a world made of synth pop, hi-nrg and horror soundtracks. the cry of >lets dance! lets kill!< somehow struck a chord among the followers of the new cosmic disco movement and has lead to a prolific discography. he is producer, dj, film composer and co-owner of giallo disco records. musically, maiovvi takes as many cues from john carpenter and goblin as he does from italian electro and san francisco hi-nrg right through experimental electronics and krautrock. in short antoni maiovvi makes epic horror disco. he follows his releases on deathwaltz, jam traxx and his own co-run giallo disco records with a journey into the furthest reaches of deep space with >monoceroticism< on flight recorder. four tracks inflected with slowmo detroit jams, new beat trash, spooktactual ebm and hyperborean prog

repress in pink vinyl ... supported by: ricardo villalobos, dj hell, karotte, gabriel ananda, tocadisco, john acquaviva, oliver huntemann, umek, joel mull, pig & dan, italoboyz, dirt crew, disco boys, moguai, delon & dalcan and many many more. it doesnt happen every day, that a record is released, which can be found in the cases of the italo- and the dicso boys, of tocadisco and the dirt crew, of markus lange and pig & dan, but then again, butch does not release on a.f.u. limited every day. butchs follow-up to his smash-remix for silent breeds >sync in< on a.f.u. brought him on the radar of monika kruse, karotte and blackstrobe and has proven the foundation of this hype surrounding him through the quality of his >butch ep<. 3 tracks, >mushroom man<, >tickles< and >botanik< have found fans from all continents and genres, which is the result of clever and new arrangements, high sound quality and funny and innovative ideas. butch is coming! watch out

erster 12inch teaser aus howie bs erstem album seit fünf jahren. frankies city ist ein reduzierter tech-house-track mit big beat-anleihen und der düsteren atmosphaere der john carpenter-soundtracks (siehe howies dj-sets im fabric), co-produziert von joe hirst(produzent von bloc party, roll deep).die flipside dagegen ist ein 8-minuetiges epos moderner, stringbasierter klassik.

iamamiwhoami sind ein spannender newcomer fuer fans von den alten the knife oder fever ray! die lp kommt auf weißem vinyl im klappcover, eine cd-version des albums liegt bei.